Showing posts with label gigs. Show all posts
Showing posts with label gigs. Show all posts

Friday, 20 February 2009

London City Love Affair tomorrow!

Yeah!  London City Love Affair returns to the Lexington on Pentonville Road tomorrow night for more band and club shenanigans.  We have music from the splendid:

EZRA BANG & HOT MACHINE
Insane electro/hip-hop crossover antics from one of London's best live acts. If you haven't caught the Hot Machine show yet, don't miss out!
"If Public Enemy had swamped their raps with buzzing synths, they'd sound like Ezra Bang & Hot Machine" (Loud and Quiet)

THEM:YOUTH
MGMT-esque beats and glossy electro from one of London’s hottest new bands. They're really new on the live circuit, but they make absolutely INCREDIBLE music, and they're getting everyone across the industry very excited indeed.  This is only their second gig, so we've got them whilst they're still fresh!

SILHOUETTE 
Delicate, swirling soundscapes from NME-championed Silhouette, who combine art with music to create a quite incredible show.
"Silhouette...bowled us over with her powerfully rich and soulful voice backed by dark blues and dirty riffs." (Artrocker)

Not only that, but we've got some awesome guests DJs lined up for the night, including LR ROCKETS, the SIEGFRIED SASSOON SOUNDSYSTEM, Wes Simpson and Bryn and I playing our usual brand of indie and alternative nonsense.

It's from 8-4am, with the bands on until 11, and is normally £6 on the door.  Because I am lovely, however, if you print off this blog entry (along with the flyer below), you can get a big fat £2 off the door price!

See you there!



Wednesday, 18 February 2009

Lovebox 2009 - chuffing hell!

I had forgotten all about the return of Lovebox to our fair city this summer until I saw some teaser ads in the Metro today.  I followed them through to their conclusion, a quarter-page advert, and promptly amused/shocked/worried the entire train carriage by letting out what can only be described as a squeal of excitement (NB, this might be a slight exaggeration, I am British after all, so probably only managed one raised eyebrow...).  Why you ask?...


THIS IS WHY!!

DURAN DURAN are headlining Lovebox!  Not only that, but there's support from a whole host of the musical great and the good:

Groove Armada (obviously)
Fat Freddy's Drop (who are awesome, by the way)
...and these are only the first acts they've announced!

I am so fully excited about this, not least due to the fact that I bought super-early bird tickets in November on spec, so I'm getting all this musical goodness for the princely sum of £59 +BF.  Beezer!

Monday, 16 February 2009

First blog of '09

...and it's in February.  Shocking, I grant you, but there it is.  To paraphrase Wilde, 'I have nothing to declare but my laziness'...that, and a large wodge of work coming in during January which, let's face it, no-one ever expects!

Still, I'm still standing, and still just about blogging.  More will undoubtedly follow.  For the time being, I'm beefing up my Web 2.0 credentials with the likes of:

Facebook Group - for the night I run, London City Love Affair
London City Love Affair myspace
London City Love Affair last.fm

Follow, join, visit, listen.
x

Monday, 8 December 2008

Bring Your Parents Records - Sunday 7th December


So this Sunday I was invited along to the latest venture from the kids from Broccoli Music, Bring Your Parents' Records.  A co-promotion with Jonny Awsum - PR guru and all-round lovely lovely man - who they found running the night in his front room, the night normally has its home in Bar Vinyl, Camden.  For their Xmas bash, however, they had upped sticks all of 10 yards to nextdoor's Zen Sai bar.

The night is a great idea.  You bring a load of dusty old vinyl along (mine had the benefit of a bit of scratching for that 'true' record sound), hopefully half-inched from your loving mother and father, and stick it on the bar's one - yes, count it, one - record deck, one track at a time.  The set-up flatters all levels of DJing proficiency, though the gaps between tracks does tend to get longer as the 4-hour happy hour (don't tell Gordon) takes hold of the crowd, and the random nature of most parental LP collections allows for some...interesting setlists.  

I have to say one of the best things about the night, though, is that it genuinely rewards the fun rather than the obscure - play Postman Pat and you get cheered, play ELO and you'll be lauded to the rafters, play anything too hip and you'll be laughed off the decks, as one girl found within two minutes of sticking some pounding dance nonsense on at the start of her set.  There WAS a little too much Bob Marley on display, but it WAS a Sunday...

I had the privilige of kicking proceedings off at 3pm, being a Sunday the bar was already undulating gently if not jumping, and I treated them to (as far as the Coronas will let me remember):

J Walk - Another Lover
Jummy Ruffin - What Becomes of the Broken Hearted
Grandmaster Melle Mel and the Furious Five - Pump me Up
Rufus Thomas - Walking the Dog
Sparks - Thank God it's Not Christmas
Led Zeppelin - Good Times Bad Times
Duran Duran - Planet Earth
Jesus Christ Superstar (1974) - Overture

ripper!

Jx

Wednesday, 15 October 2008

dancetillyoudie tomorrow night

it would be a foolish man indeed who didn't post the odd blog about the night he runs, so here we go!

My night, dancetillyoudie, returns to the Good Ship in Kilburn tomorrow night for some fearsome alternative loving.  Playing live on the night are:

Finalists in this year's Road to V competition, Slice the Pie album winners, and one of Birmingham's finest exports. Having been hand-picked to support the likes of the Young Knives, The Paddingtons, and Vincent Vincent and the Villians, Walk.DontWalk head to dtyd for what promises to be an absolutely barnstorming headline set. 

"the find of the night - and perhaps the entire contest...a girl-flinging, dress-removing, mate-piggybacking, TV camera-grabbing frenzy. A turbo-charged Coral anyone?" (Mark Beaumont, NME)


afterwards my good friend Bryn and I entertain on the decks until 2am.  It's generally a great night's entertainment, and all the bands playing tomorrow are corking, so hope to see you down there!  If you want a cheeky gander at walk.dontwalk beforehand though, check this out...



Tickets are £5 on the door, or £4 if you let us know you're coming in advance - do that here, or wing me a message here

Advertorial ends!
Jx

Monday, 13 October 2008

Live Review - Indiesexual @ Catch, 08.10.08

Catch is an odd venue to be honest.  Downstairs has a bar, background music, pool table and seating booths – think faded Americana and you won’t go far wrong.  Up the narrow spiral staircase, though, and you find yourself in the kind of spit-and-sawdust gig space that is so typical to London – narrow room, low ceiling.  You get the feeling that they could make much better use of the space, but why bother as things are rolling along pretty well as is.  I was there to catch (ahem) Indiesexual, another successful night from the ubiquitous Broccoli Music clan – brother and sister team Mikee and Katie Corcoran (or ‘Broccoli’ as they have, perhaps unfairly, become known).

The night has been running for more than three years now, and is another step in their plans for global domination of the ‘up-and-coming but not signed yet’ bands market.  Going on the evidence of their website, booking policy tends towards the eclectic, with previous acts including the likes of The Krak, Joanna and the Wolf, Hatcham Social, Popular Workshop, and the now sadly defunct Mescalitas.  Tonight’s entertainment came from The Cavaliers, The Supernovas, The Broadcasts, and Miss Davina Lee (‘The’ Miss Davina Lees were obviously not available, or they couldn’t get her to change her name…).  DJing support came from the Broccoli kids themselves, debuting on the one’s and two’s in fine style.

There is something endearingly British about Miss Davina Lee.  She may come on stage dressed like Lovefoxx, all pink leopard prints and gold lame leggings, but she races through her set more like Lovesquirrel – all hopping from one foot to another and self-conscious chatter interspersing the tracks as if Hugh Grant was fronting an indie band.  It’s a winning formula that puts you on-side almost instantly.  There is something particularly wonderful about watching a performer who gets so into the music that she forgets to sing into the microphone.  The music itself was fun – all electro beats underpinned with some nice acoustic guitar work.  Next time give the girl a higher stand for her keyboard though…

Next up were The Broadcasts, peddling poppy, upbeat glam-indie that was hard to resist, and few did.  All driven guitars and witty vocal lines, you can really see why these boys are a firm favourite with the radio powers that be.  Their sound isn’t fully formed as yet, with different songs bringing in occasionally disparate elements, but once they find their balance, perhaps during the album-writing process they are currently going through, they’re going to be a fine prospect.

The Supernovas had brought quite the crowd with them – always a plus as it will endear you to the promoter if nothing else – and proceeded to entertain in the well-worn style of mildly punk indie, sounding like an amalgam of fellow Nambucca-ites The Holloways, Elle Milano (their track ‘City of Smoke’ could just as easily have been ‘Sexy in Latin’), and the Buzzcocks.  Just because it was of a type, though, didn’t mean it wasn’t enjoyable.  The band were obviously into, and true to, what they were doing, and the songs were carried off with a panache that lifts them above the average, and could well ensure that Holy Grail of all acts on the London circuit, label interest.

Finally, we had The Cavaliers to wrap things up.  The Supernovas have previously supported Pete Doherty, The Cavaliers seem to enjoy fearsomely channelling him, if you believe previous press reports on their activities.  I guess the Babyshambles influences were there to be seen, but The Cavaliers have much more in the locker in terms of how to create an interesting chord structure than Doherty et al have ever had.  To this reviewer the style of the songs was rather more reminiscent of a slightly more louche Strokes, but with sweeter melodic lines a la Boy Kill Boy.  Honestly?  It was bloody ripper!  Some excellent music on display, twinned with a bit of a, deserved, swagger.

Verdict:
Strong band line-ups, DJs who are obviously enjoying themselves, and pleasant door staff.  It’s an aptly named venue for this Catch-y night.  You should ‘Catch’ it very soon (that’s enough catch gags…)

Where Next:
Miss Davina Lee - no gig listed
The Broadcasts - @ The Bull & Gate on 28th October
The Supernovas - Abstract Noun all-dayer @ The Ramshackle on 26th October
The Cavaliers - @ 93 Feet East on 15th October
Indiesexual - Indiesexual returns to Catch on 12th November with It's a Trap!, The Hateful, and Burning Pilot

Friday, 26 September 2008

Weekend manoeuvres

So the weekend rolls around once again, with the weather looking up for once!  There's sport a-plenty; Liverpool vs. Everton and the Singapore Grand Prix are set to feature heavily on my calendar.  However, there is also musical gold to be found in our fair city with the likes of:

The 'endearlingly bizarre' (TimeOut) Tubelord, who play the Macbeth tonight on the Levi's 'Ones to Watch' tour.  They're supporting Metronomy, but are well worth getting there early for.
Doors 7pm, £6, Shoreditch

Also tonight, Club NME has Outside Royalty at Koko, but again it's the support that holds the interest coming as it does from James Yuill, who is bloody brilliant.  Totally recommended.
Doors 9.30pm, £5, Camden

Finally, Slam champion Maxwell Golden headlines Jammin' at the Paradise Bar with a heady mix of spoken word, MCing, music and beat poetry.  It should be a belting night.
Doors 8pm, £3, Kensal Green

For tomorrow, This Ain't no Picnic at King's College SU is an all-dayer with highlights including Future of the Left, the brilliantly-named This Town Needs Guns, and one of my favourite bands - Bearsuit.
Doors 1pm, £15, Temple

...and later on, to round things off and if you're feeling flush, catch the brilliant Snowboy & the Latin Section at Ronnie Scott's.  It seems pricey, but these guys craft jazz par excellence and are totally worth the expenditure.
Doors 6pm, £20, Soho

Enjoy people,
Jx

Thursday, 25 September 2008

Live music review - Pull up the Roots @ The Old Queen's Head 24.09.08

Once again, Broccoli Music took over the upstairs room at The Old Queen's Head for their successful 'Pull up the Roots' night.  The concept is to break new bands in the capital in slightly more comfortable surroundings than is the norm (naming no names Camden Barfly...).  Entry is free, and punters more often than not find themselves lounging in one of the venue's comfy chairs veiwing the stage, adding a certain living room vibe to the whole affair.  On Wednesday, music came courtesy of The Black Lies, Carlotti, Rock City Sixteen and De Shamonix, with the gaps plugged ably by the excellent Coathanger DJs who entertained with dancefloor indie a-go-go.

Indie-punk foursome Black Lies swaggered onto the stage to the strains of their track 'My House is Your House'.  So far, so Arctic Monkeys, and it was this sound that they stuck to resolutely throughout their set, assisted by a small cabal of hardcore fans leaping about at the front of the room.  It's being done plenty elsewhere, but these boys give it a sense of fun at the very least.

Carlotti offered something a little more fulsome - there was even a mandolin at one point!  Melodic rock with a fine country/blues edge, they were my pick of the crop for the night.  Grabbing debut single 'Your Guess Ain't as Good as Mine' on iTunes is a highly-recommended move.

Of all the acts performing, it was Rock City Sixteen that wore their references the most proudly on their chests.  Their myspace is the epitome of self-conscious 50s cool, and their music owes much to the work of Blondie and, though they don't admit to it in their list of influences, The Strokes.  Their set was all angular guitars, overdrive, and some very very large shades indeed.  The crowd lapped it up.

Last but by no means least were De Shamonix, who blasted through an excellent set to the appreciation of a sizeable audience.  I had been told beforehand that they knew how to own a stage, and own it they did - stagecraft is often the big differentiator between a band making it or not, and De Shamonix offered it up in spadefuls to round out a fine night's entertainment.  

VerdictYou may not be a fan of broccoli as a vegetable, but you can't fault it as a clubnight...

Where next:
Black Lies: @ Monto Water Rats, Fri. 31st October
Carlotti:  @ the Hope & Anchor Fri. 3rd October
Rock City Sixteen: @ the Ryhthm Factory Tues. 7th October
De Shamonix: @ Monto Water Rats, Sat. 29th November
Pull up the Roots Thurs. 20th October @ The Old Queen's Head