Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, 13 March 2009

La Roux - In for the Kill (Twelves Remix)

A combination of two kinds of goodness on today's track.  Pretty much everyone will have heard of La Roux by now.  In the mix amongst most critics top 10 picks for 2009, Elly Jackson and Ben Langmaid's 80s-themed synth has been making hipsters throw (very angular) shapes across indie dancefloors for the past few months. 

Today's track is a remix of their new single 'In for the Kill' by Brasilian boys The Twelves.  The Twelves might be slightly less well-known, but they have a remix back catalogue that reads like a great and the good of hyped indie/electro crossover bands - Black Kids, New Young Pony Club, M.I.A, Asobi Seksu to name but a few - and they've played live with the likes of Justice, LCD Soundsystem, Diplo, and Van She.  They are currently on tour across the US and Australia, but a trip to UK shores can't be far away.

The track is a corker.  Slowing down the track slightly, and taking the bass out at the start, it's a touch hard on the ears (all that treble) - but once the beat comes in, it's absolutely ravetastic in a 'Last Days of Disco' kinda way.  If the club has a discoball, it needs to be on for this...


Enjoy!

Thursday, 12 March 2009

Korgis - Everybody's Got to Learn Sometimes (Laidback Luke boot)

So I have been trawling the musical blogosphere in an attempt to find some tunes to wrap my ears around for this afternoon's efforts at work.  As ever, the Young Punx's fantastic music blog Your Music is Killing Me does not disappoint, offering up this beauty!

For those that aren't in the know, The Young Punx are a collective of live musicians, DJs, producers, singers, anyone else talented, that make absolutely insane mash-up music.  House, electro, pop, DnB, the shipping report (yes, really) - it all gets stuck into a big musical blender, and pumped back out at high volume.   Checkkit...



As well as putting on a storming live set, Hal and Cameron - the producers and writers for the group - are also stonking DJs in a His Majesty Andre/Basement Jaxx/Laidback Luke kinda way (big filtered tracks, party beats, and lots of odd squelches!).  They often record their mixes to broadcast on their blog and, midway through a podcast of their recent set at Ministry of Sound, I was treated to a tasty Laidback Luke boot of Korgis' 'Everybody's Got to Learn Sometimes'.  It's one of my all-time favourite tracks, and this is a belter of a mix...


All together now...'change your hearrrrrt, look arounnnnnd you'.

Enjoy!

Saturday, 7 March 2009

Review: The Welcome Wagon - Welcome to the Welcome Wagon

The Welcome Wagon are husband and wife duo The Rev. Vito Aiuto and Mrs. Monique Aiuto…that’s right, a pastor and his wife….wait….no wait….come back!  It has to be said that when I have been recommending this album around –  and I have been, to practically everyone I meet – the fact that it is an American album of religious and quasi-religious folk tracks sung by a pastor and his wife has not been an easy sell.  However, see past such fripperies, and there is a fantastic album to be enjoyed.

WTTWW is produced by Sufjan Stevens, who also adds many of the instrumental elements to the album, and released it on his Asthmatic Kitty imprint.  Stevens will be a name well known to anyone with half an interest in the US independent music scene, a veritable folk titan who, amongst writing albums that deal with the Chinese Zodiac and his Christianity, has often spoken of his desire to write an album about every state in the US (so far, only the superb ‘Greetings from Michigan, the Great Lake State’ and ‘Come on Feel the Illinoise’ are extant).  

Stevens’ albums are full of lush orchestration hung around songs and lyrics which feel at the same time both intensely personal and utterly universal.  It is easy to see why SS band member Vito would have jumped at the chance to have such expertise available on production duties.  With Stevens’ presence, however, there is a danger that this album will come across as just another of his many musical side-projects.  Happily,  this is not the case.  Whilst some songs could indeed come straight from his Illionoise off-cuts album ‘The Avalanche’ (notably ‘Sold! To The Rich Man’) he sensibly allows Vito’s songwriting skills more than enough room to speak for themselves.
 
Highlights include delicate covers of the Smiths’ ‘Half a Person’ and ‘Jesus’ by the Velvet Underground, as well as the beautiful album-opener, ‘Up on a Mountain’.  Sung by Monique, it gently lulls you into the right frame of mind to enjoy the rest of what is a wonderful album.  



It would be churlish, however, to try and split tracks from one another.  This cd works best approached as a whole; imagine yourself amongst the youthful population of Vito’s church on a Sunday afternoon, alternately clapping along and listening as the Pastor offers up the fruits of his faith.  Or imagine yourself sat round a campfire in the summer - marshmallows, beer and a guitar.  Any way you imagine it, it's escapism par excellence...

Friday, 6 March 2009

Review: Fleet Foxes - Fleet Foxes

Fleet Foxes will probably be a name that rings a few bells, three-sheeted, as they have been, all over poster boards and TV/Radio of late.  Winning a place in most critics’ ‘Albums of 2008’ lists, and selling more than 100,000 cds in the UK whilst doing it, you don't seem to be able to get away from these Seattle boys...

Why the delay in writing about them then?  Sadly, they are a band I have always ‘not quite got round to’.  Thankfully, iTunes’ albums for under £5 sale was the remedy to this and, in the midst of a whole wealth of soundtrack purchases (‘Batman’, ‘American Beauty’, ‘Zidane: A 21st Century Portrait’, and ‘Blade Runner’), there was the album -  just waiting to be bought...and am I ever glad I did!

First, a bit of background.  Hailing from Seattle, the Foxes are a five-piece outfit that create, in their own words 'baroque harmonic pop jams'.  Originally going under the forgettable moniker of 'Pineapple', they switched to their more evocative current handle after a name clash with another local band (thank God...Pineapple?!)  The band were formed in 2006 and, building on positive word of mouth reviews as well as strong reactions from the Seattle music press, they released a number of well-received EPs in 06-07, before releasing their eponimous album in June of '08.

The album itself has echoes of Brian Wilson’s magnum opus ‘Smile’.  However, where Wilson’s work had its heart in the surf of California and Hawaii, Fleet Foxes evoke a feel far to the East of their Seattle home; the bluegrass and soft country of Appalachians.  ‘Sun Rises’, the first track on the album, could quite easily be straight out of the soundtrack to ‘O Brother Where Art Thou’, and there are nods to the likes of Old Crow Medicine Show and Chatham County Line.  It would be a mistake, however, to simply file this under 'country' or 'bluegrass'.  There is a country feel, certainly, but there is also folk, baroque, pop, and even shades of the irregular time signatures and sea-shanty guitar lines that indie math kids Hot Club de Paris have made their own.  

Although uniformly superb, when the album is at its best is in its transitions between the delicate and the expansive.  At one second, lead singer Robin Pecknold’s hushed tones interplay with a single guitar; the next, a full orchestra comes crashing in and the chord progression just soars.  Nowhere is this better seen than in the album's standout track 'Blue Ridge Mountains' - a piece which fights it out with Elbow’s ‘Loneliness of a Tower Crane Driver’ as the most evocative, achingly beautiful piece of music this reviewer heard last year or this.  

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At only 39 minutes, the album should feel short, but in fact the minimal playing time only serves to accentuate how perfectly formed the collection is.  Besides, you'll want to skip straight back to the start and play it all over again anyway, so we're really talking about 1hr20, and I honestly can't think of many better ways to spend an hour and a half.  Stunning.

Friday, 20 February 2009

London City Love Affair tomorrow!

Yeah!  London City Love Affair returns to the Lexington on Pentonville Road tomorrow night for more band and club shenanigans.  We have music from the splendid:

EZRA BANG & HOT MACHINE
Insane electro/hip-hop crossover antics from one of London's best live acts. If you haven't caught the Hot Machine show yet, don't miss out!
"If Public Enemy had swamped their raps with buzzing synths, they'd sound like Ezra Bang & Hot Machine" (Loud and Quiet)

THEM:YOUTH
MGMT-esque beats and glossy electro from one of London’s hottest new bands. They're really new on the live circuit, but they make absolutely INCREDIBLE music, and they're getting everyone across the industry very excited indeed.  This is only their second gig, so we've got them whilst they're still fresh!

SILHOUETTE 
Delicate, swirling soundscapes from NME-championed Silhouette, who combine art with music to create a quite incredible show.
"Silhouette...bowled us over with her powerfully rich and soulful voice backed by dark blues and dirty riffs." (Artrocker)

Not only that, but we've got some awesome guests DJs lined up for the night, including LR ROCKETS, the SIEGFRIED SASSOON SOUNDSYSTEM, Wes Simpson and Bryn and I playing our usual brand of indie and alternative nonsense.

It's from 8-4am, with the bands on until 11, and is normally £6 on the door.  Because I am lovely, however, if you print off this blog entry (along with the flyer below), you can get a big fat £2 off the door price!

See you there!



Wednesday, 18 February 2009

Lovebox 2009 - chuffing hell!

I had forgotten all about the return of Lovebox to our fair city this summer until I saw some teaser ads in the Metro today.  I followed them through to their conclusion, a quarter-page advert, and promptly amused/shocked/worried the entire train carriage by letting out what can only be described as a squeal of excitement (NB, this might be a slight exaggeration, I am British after all, so probably only managed one raised eyebrow...).  Why you ask?...


THIS IS WHY!!

DURAN DURAN are headlining Lovebox!  Not only that, but there's support from a whole host of the musical great and the good:

Groove Armada (obviously)
Fat Freddy's Drop (who are awesome, by the way)
...and these are only the first acts they've announced!

I am so fully excited about this, not least due to the fact that I bought super-early bird tickets in November on spec, so I'm getting all this musical goodness for the princely sum of £59 +BF.  Beezer!

Monday, 16 February 2009

First blog of '09

...and it's in February.  Shocking, I grant you, but there it is.  To paraphrase Wilde, 'I have nothing to declare but my laziness'...that, and a large wodge of work coming in during January which, let's face it, no-one ever expects!

Still, I'm still standing, and still just about blogging.  More will undoubtedly follow.  For the time being, I'm beefing up my Web 2.0 credentials with the likes of:

Facebook Group - for the night I run, London City Love Affair
London City Love Affair myspace
London City Love Affair last.fm

Follow, join, visit, listen.
x

Friday, 12 December 2008

Flight of the Conchords - Bus Driver's Song

Office Christmas party last night, killer headache this morning.  For those not in the know, in true credit crunch stylee we cancelled our planned Christmas bash at London Bridge, and decided to have it in the office.  Many alcoholic high jinks followed, and sadly there is video footage of pretty much all of it.  Whoever thought it was a good idea to start packaging mobile phones with video cameras?!

Still feeling a little under the weather (ahem), so not much blogging being done.  The only thing that's keeping my head above water at work are the ever-wonderful Flight of the Conchords.  I'm so excited about the new series, which should be hitting the Beeb in January '09.

Anyway - I'm sure fans of the show will know all the songs from the episodes, but I'm posting one that comes from their pre-TV days.  It's one of my all-time favourites of theirs - a look at life in New Zealand through the eyes of Coachline driver Tony.  Very funny, of course, but sweet and quite affecting at the same time.



Enjoy
Jx

Tuesday, 9 December 2008

Alex Roots Alex Roots Alex Roots!

What were you doing at 16?  If you were anything like me, you were panicking about which A-levels to take, sneaking into under-age pubs (of which Cambridge had a wide array), and listening to Pulp.  What you possibly weren't doing was surrounding yourself by a media-savvy array of agents, managers, label folk and songwriters, and making a determined assault on London's live scene; but then again, neither of us are Alex Roots...



Now I've been meaning to blog about this little lady for a while now, ever since we booked her to open for us at dancetillyoudie's 1st birthday party in Kilburn a couple of months ago and she attracted a hysteria akin to the start of 'A Hard Day's Night' (well....almost...) to be exact.  Why do I bring her to your attention, you ask?  Because she's a chuffing pop marvel, that's why!

Ploughing a furrow described by the Guardian as mid-way between Cyndi Lauper, Blondie, Katy Perry and Avril Lavigne, Alex and her co-writer (pop/RnB stalwart Ryan Laubscher) have crafted a selection of musical gems that seem sure to grace the Radio 1 playlist in the not too distant, from the faux thrash of 'Fake', to the Lauper-inspired 'Put Your Hands up' to the quite wonderful 'Dizzy from the Ride' (mother flippin's favourite), they are all belters.


(hat-tip to Sheena Beaston for the link to this megamix - you can also hear a couple of the tracks in full on her Good Groove artist page...)

Her debut album looks set to drop in the early part of 2009, released on the Good Groove imprint that brought Corinne Bailey Rae to the music-buying public.  It sounds like they have another hit on their hands...

Jx

Monday, 8 December 2008

Bo Pepper - I Haven't Got You Anything (This Christmas)

So Christmas rolls around, along with all the usual traditions.  You know what I'm talking about; Turkey for dinner, Shrek on the TV, The Queen's Speech, Mince pies and mulled wine, and the X Factor winner getting to Christmas Number 1.....

...but wait!  What light from yonder musical window breaks?  It can't actually be...no....a....half-decent Christmas song?!  Hallelujah!  



They go by the name of Bo Pepper, and Mother Flippin is a BIG fan having encountered them a number of times over the past year.  Fronted by the charming Dolly Pepper, they sound like the Strokes and look a lot better.  I mean they've even got idential twins in the band for God's sake, that's got to give them one up on El Tel in the Chrimberley music stakes, surely?!  So, I know where MY festive 79p iTunes purchase will be heading, and it won't be to Terry Wogan or Alexandra Burke*...Plus, if they get to the top spot, it might make Simon Cowell look like this...



and THAT's worth the money!

Jx

*of course I don't KNOW that she's going to win, but it would be a travesty if she didn't...

Friday, 5 December 2008

Lily Allen - The Fear

Ahhhh, Lily Allen.  Good to see that she's back to making music rather than mouthing off.  Mother Flippin is a big fan, and her new single 'The Fear', from the forthcoming album 'It's not me, it's you' is a winner - as is the video.  She's lookin' goooood...



Jx

Tuesday, 2 December 2008

Kid Cudi - Day 'n' Night

Yeah!  One of my favourite club tracks of the year is finally getting a proper commercial release.

The Crookers' remix of Kid Cudi's 'Day 'n' Night' obviously impressed the danceratti across the globe enough for the track to be picked up by Data Records, given a new 'Club Mix' title (the artist is now Kid Cudi vs. Crookers), remixed a couple of times, and stuck out for the chart to chomp on.  Not sure as to the release date as yet, but I'm sure there'll be some kind of girls in bikinis video along soon enough...


I have to say, most of the new mixes can't hold a candle to the Crookers' original mix, but one that tries damned hard is the spiffy 'Jokers of the Scene' mix - haven't heard of them before, but this is lovely and squelchy!

(hat-tip to Stoney Roads for the link)

Enjoy!

Jx

Friday, 28 November 2008

The Hours - See the Light (Calvin Harris Remix)

Track of the day today comes in the form of a Calvin Harris remix.  Now, I've always felt that Calvin sometimes puts a little more effort into the one-off remixes he does compared with his own output - 'Acceptable in the 80s' was all well and good, but 'Girls' anyone?!  Really?!  

You can't fault him when he's given a ready-made track to deal with, though, and his remix for returning Sheffield indie-kids The Hours (check out their 2007 album 'Narcissus Road', which is pretty belting) is typically excellent.  A little more down-tempo than previous efforts, this is a storming piece of bump'n'funk electro that is going straight to the front of my box.  Enjoy!


UPDATE:  I read from my helpful promotional blurb that there is a pretty intense video for the original of this doing the rounds.  It features Sienna Miller as...well...see for yourselves:



Jx

Monday, 24 November 2008

Little Boots - Stuck on Repeat. Oh my good GOD!

So I've been away for a looooong time - blame the pressures of work, some play, an 8-month old baby, and bands who keep dropping out of gigs I've arranged (damn them!)  I am, however, back on the blog...and back with an absolute corker for y'all.

Little Boots is one of my favourite artists at the moment.  Originally from Blackpool (a fact that sometimes comes out in endearing little Northern word pronunciations in her recordings), she's now firmly ensconced in London, and making some great music.  She does this little series called Funtimes on YouTube where she covers a track every week or so (check out her Tenori-On cover of 'Ready for the Floor' by Hot Chip here) and it's highly recommended.  However, the track I'm posting is her single 'Stuck on Repeat' from earlier in the year (February I think?) - It's produced by Hot Chip's own Joe Goddard, and...well...would you listen to that bassline?! There's a Fake Blood (DJ Touche) mix too which is nice, but I just love the original.  Like Madonna stepping out to disco with the Soulwax boys, this really is a belter.



Mother Flippin' loves you Little Boots!

x

Monday, 27 October 2008

Track of the Week - Barefoot Confessor, He Doesn't Love You

Last week's track of the week was a Beatle's remix;  this week's is one that riffs splendidly on the Fab Four's track 'I Wanna Hold your Hand', Barefoot Confessor's brilliant 'He Doesn't Love You'.

The band are from West London, and have been raising high levels of industry interest since their conception a few months ago, being likened to everyone from The Smiths, Bruce Springsteen, McFly (?!) and The Libertines.  Recently tipped by both Glasswerk and Red Stripe, and appearing on any number of Google searches for new London acts, they're looking good success-wise, which is helped by the fact that they are absolutely belting.  Don't take my word for it, check this out...

Jx

Monday, 20 October 2008

Song of the Week - Long Blondes, Giddy Stratospheres

The Long Blondes have split up

Although this year has seen the release of the follow up to their debut effort 'Once and Never Again', the Erol Alkan-produced 'Couples', it has also seen their guitarist Dorian Cox suffer a stroke which led to a number of dates having to be cancelled over the summer.  In a statement on their myspace today, Dorian states that, given he doesn't know when/if he will be able to play the guitar again, the band have decided to call things to a halt.

Personally I loved The Long Blondes.  Their songs occasionally meandered a bit, but they could write a killer chorus!  As my friend Chris had it "just when you're starting to think 'oh, god, it's another lame Long Blondes track', the chorus comes along and you're grinning and jigging about like a total wazz"...In memory of...well that mental image if not the band themselves, this week's 'Song of the Week' is the song that introduced me to them, Giddy Stratospheres:


Wednesday, 15 October 2008

dancetillyoudie tomorrow night

it would be a foolish man indeed who didn't post the odd blog about the night he runs, so here we go!

My night, dancetillyoudie, returns to the Good Ship in Kilburn tomorrow night for some fearsome alternative loving.  Playing live on the night are:

Finalists in this year's Road to V competition, Slice the Pie album winners, and one of Birmingham's finest exports. Having been hand-picked to support the likes of the Young Knives, The Paddingtons, and Vincent Vincent and the Villians, Walk.DontWalk head to dtyd for what promises to be an absolutely barnstorming headline set. 

"the find of the night - and perhaps the entire contest...a girl-flinging, dress-removing, mate-piggybacking, TV camera-grabbing frenzy. A turbo-charged Coral anyone?" (Mark Beaumont, NME)


afterwards my good friend Bryn and I entertain on the decks until 2am.  It's generally a great night's entertainment, and all the bands playing tomorrow are corking, so hope to see you down there!  If you want a cheeky gander at walk.dontwalk beforehand though, check this out...



Tickets are £5 on the door, or £4 if you let us know you're coming in advance - do that here, or wing me a message here

Advertorial ends!
Jx

Monday, 13 October 2008

Live Review - Indiesexual @ Catch, 08.10.08

Catch is an odd venue to be honest.  Downstairs has a bar, background music, pool table and seating booths – think faded Americana and you won’t go far wrong.  Up the narrow spiral staircase, though, and you find yourself in the kind of spit-and-sawdust gig space that is so typical to London – narrow room, low ceiling.  You get the feeling that they could make much better use of the space, but why bother as things are rolling along pretty well as is.  I was there to catch (ahem) Indiesexual, another successful night from the ubiquitous Broccoli Music clan – brother and sister team Mikee and Katie Corcoran (or ‘Broccoli’ as they have, perhaps unfairly, become known).

The night has been running for more than three years now, and is another step in their plans for global domination of the ‘up-and-coming but not signed yet’ bands market.  Going on the evidence of their website, booking policy tends towards the eclectic, with previous acts including the likes of The Krak, Joanna and the Wolf, Hatcham Social, Popular Workshop, and the now sadly defunct Mescalitas.  Tonight’s entertainment came from The Cavaliers, The Supernovas, The Broadcasts, and Miss Davina Lee (‘The’ Miss Davina Lees were obviously not available, or they couldn’t get her to change her name…).  DJing support came from the Broccoli kids themselves, debuting on the one’s and two’s in fine style.

There is something endearingly British about Miss Davina Lee.  She may come on stage dressed like Lovefoxx, all pink leopard prints and gold lame leggings, but she races through her set more like Lovesquirrel – all hopping from one foot to another and self-conscious chatter interspersing the tracks as if Hugh Grant was fronting an indie band.  It’s a winning formula that puts you on-side almost instantly.  There is something particularly wonderful about watching a performer who gets so into the music that she forgets to sing into the microphone.  The music itself was fun – all electro beats underpinned with some nice acoustic guitar work.  Next time give the girl a higher stand for her keyboard though…

Next up were The Broadcasts, peddling poppy, upbeat glam-indie that was hard to resist, and few did.  All driven guitars and witty vocal lines, you can really see why these boys are a firm favourite with the radio powers that be.  Their sound isn’t fully formed as yet, with different songs bringing in occasionally disparate elements, but once they find their balance, perhaps during the album-writing process they are currently going through, they’re going to be a fine prospect.

The Supernovas had brought quite the crowd with them – always a plus as it will endear you to the promoter if nothing else – and proceeded to entertain in the well-worn style of mildly punk indie, sounding like an amalgam of fellow Nambucca-ites The Holloways, Elle Milano (their track ‘City of Smoke’ could just as easily have been ‘Sexy in Latin’), and the Buzzcocks.  Just because it was of a type, though, didn’t mean it wasn’t enjoyable.  The band were obviously into, and true to, what they were doing, and the songs were carried off with a panache that lifts them above the average, and could well ensure that Holy Grail of all acts on the London circuit, label interest.

Finally, we had The Cavaliers to wrap things up.  The Supernovas have previously supported Pete Doherty, The Cavaliers seem to enjoy fearsomely channelling him, if you believe previous press reports on their activities.  I guess the Babyshambles influences were there to be seen, but The Cavaliers have much more in the locker in terms of how to create an interesting chord structure than Doherty et al have ever had.  To this reviewer the style of the songs was rather more reminiscent of a slightly more louche Strokes, but with sweeter melodic lines a la Boy Kill Boy.  Honestly?  It was bloody ripper!  Some excellent music on display, twinned with a bit of a, deserved, swagger.

Verdict:
Strong band line-ups, DJs who are obviously enjoying themselves, and pleasant door staff.  It’s an aptly named venue for this Catch-y night.  You should ‘Catch’ it very soon (that’s enough catch gags…)

Where Next:
Miss Davina Lee - no gig listed
The Broadcasts - @ The Bull & Gate on 28th October
The Supernovas - Abstract Noun all-dayer @ The Ramshackle on 26th October
The Cavaliers - @ 93 Feet East on 15th October
Indiesexual - Indiesexual returns to Catch on 12th November with It's a Trap!, The Hateful, and Burning Pilot

Song of the week - Crying Blood, V V Brown

I'm not going to lie, it's a pretty crappy day in London town this Monday am.  So for those bemoaning the end of the sun we had over the weekend, here's something to put a smile on your face.  Miss V V Brown with her debut single 'Crying Blood'.  It's been around for a while now, but it's a belter that never fails to do the business when I'm out DJing, and I've just found the video, so I'm posting it.



Lindi-hop-tastic!  There's also a killer remix of the track by Hannah Holland.  Check it out...

Friday, 26 September 2008

Weekend manoeuvres

So the weekend rolls around once again, with the weather looking up for once!  There's sport a-plenty; Liverpool vs. Everton and the Singapore Grand Prix are set to feature heavily on my calendar.  However, there is also musical gold to be found in our fair city with the likes of:

The 'endearlingly bizarre' (TimeOut) Tubelord, who play the Macbeth tonight on the Levi's 'Ones to Watch' tour.  They're supporting Metronomy, but are well worth getting there early for.
Doors 7pm, £6, Shoreditch

Also tonight, Club NME has Outside Royalty at Koko, but again it's the support that holds the interest coming as it does from James Yuill, who is bloody brilliant.  Totally recommended.
Doors 9.30pm, £5, Camden

Finally, Slam champion Maxwell Golden headlines Jammin' at the Paradise Bar with a heady mix of spoken word, MCing, music and beat poetry.  It should be a belting night.
Doors 8pm, £3, Kensal Green

For tomorrow, This Ain't no Picnic at King's College SU is an all-dayer with highlights including Future of the Left, the brilliantly-named This Town Needs Guns, and one of my favourite bands - Bearsuit.
Doors 1pm, £15, Temple

...and later on, to round things off and if you're feeling flush, catch the brilliant Snowboy & the Latin Section at Ronnie Scott's.  It seems pricey, but these guys craft jazz par excellence and are totally worth the expenditure.
Doors 6pm, £20, Soho

Enjoy people,
Jx