Showing posts with label new bands. Show all posts
Showing posts with label new bands. Show all posts

Friday, 13 March 2009

La Roux - In for the Kill (Twelves Remix)

A combination of two kinds of goodness on today's track.  Pretty much everyone will have heard of La Roux by now.  In the mix amongst most critics top 10 picks for 2009, Elly Jackson and Ben Langmaid's 80s-themed synth has been making hipsters throw (very angular) shapes across indie dancefloors for the past few months. 

Today's track is a remix of their new single 'In for the Kill' by Brasilian boys The Twelves.  The Twelves might be slightly less well-known, but they have a remix back catalogue that reads like a great and the good of hyped indie/electro crossover bands - Black Kids, New Young Pony Club, M.I.A, Asobi Seksu to name but a few - and they've played live with the likes of Justice, LCD Soundsystem, Diplo, and Van She.  They are currently on tour across the US and Australia, but a trip to UK shores can't be far away.

The track is a corker.  Slowing down the track slightly, and taking the bass out at the start, it's a touch hard on the ears (all that treble) - but once the beat comes in, it's absolutely ravetastic in a 'Last Days of Disco' kinda way.  If the club has a discoball, it needs to be on for this...


Enjoy!

Friday, 20 February 2009

London City Love Affair tomorrow!

Yeah!  London City Love Affair returns to the Lexington on Pentonville Road tomorrow night for more band and club shenanigans.  We have music from the splendid:

EZRA BANG & HOT MACHINE
Insane electro/hip-hop crossover antics from one of London's best live acts. If you haven't caught the Hot Machine show yet, don't miss out!
"If Public Enemy had swamped their raps with buzzing synths, they'd sound like Ezra Bang & Hot Machine" (Loud and Quiet)

THEM:YOUTH
MGMT-esque beats and glossy electro from one of London’s hottest new bands. They're really new on the live circuit, but they make absolutely INCREDIBLE music, and they're getting everyone across the industry very excited indeed.  This is only their second gig, so we've got them whilst they're still fresh!

SILHOUETTE 
Delicate, swirling soundscapes from NME-championed Silhouette, who combine art with music to create a quite incredible show.
"Silhouette...bowled us over with her powerfully rich and soulful voice backed by dark blues and dirty riffs." (Artrocker)

Not only that, but we've got some awesome guests DJs lined up for the night, including LR ROCKETS, the SIEGFRIED SASSOON SOUNDSYSTEM, Wes Simpson and Bryn and I playing our usual brand of indie and alternative nonsense.

It's from 8-4am, with the bands on until 11, and is normally £6 on the door.  Because I am lovely, however, if you print off this blog entry (along with the flyer below), you can get a big fat £2 off the door price!

See you there!



Monday, 16 February 2009

First blog of '09

...and it's in February.  Shocking, I grant you, but there it is.  To paraphrase Wilde, 'I have nothing to declare but my laziness'...that, and a large wodge of work coming in during January which, let's face it, no-one ever expects!

Still, I'm still standing, and still just about blogging.  More will undoubtedly follow.  For the time being, I'm beefing up my Web 2.0 credentials with the likes of:

Facebook Group - for the night I run, London City Love Affair
London City Love Affair myspace
London City Love Affair last.fm

Follow, join, visit, listen.
x

Tuesday, 9 December 2008

Alex Roots Alex Roots Alex Roots!

What were you doing at 16?  If you were anything like me, you were panicking about which A-levels to take, sneaking into under-age pubs (of which Cambridge had a wide array), and listening to Pulp.  What you possibly weren't doing was surrounding yourself by a media-savvy array of agents, managers, label folk and songwriters, and making a determined assault on London's live scene; but then again, neither of us are Alex Roots...



Now I've been meaning to blog about this little lady for a while now, ever since we booked her to open for us at dancetillyoudie's 1st birthday party in Kilburn a couple of months ago and she attracted a hysteria akin to the start of 'A Hard Day's Night' (well....almost...) to be exact.  Why do I bring her to your attention, you ask?  Because she's a chuffing pop marvel, that's why!

Ploughing a furrow described by the Guardian as mid-way between Cyndi Lauper, Blondie, Katy Perry and Avril Lavigne, Alex and her co-writer (pop/RnB stalwart Ryan Laubscher) have crafted a selection of musical gems that seem sure to grace the Radio 1 playlist in the not too distant, from the faux thrash of 'Fake', to the Lauper-inspired 'Put Your Hands up' to the quite wonderful 'Dizzy from the Ride' (mother flippin's favourite), they are all belters.


(hat-tip to Sheena Beaston for the link to this megamix - you can also hear a couple of the tracks in full on her Good Groove artist page...)

Her debut album looks set to drop in the early part of 2009, released on the Good Groove imprint that brought Corinne Bailey Rae to the music-buying public.  It sounds like they have another hit on their hands...

Jx

Friday, 28 November 2008

The Hours - See the Light (Calvin Harris Remix)

Track of the day today comes in the form of a Calvin Harris remix.  Now, I've always felt that Calvin sometimes puts a little more effort into the one-off remixes he does compared with his own output - 'Acceptable in the 80s' was all well and good, but 'Girls' anyone?!  Really?!  

You can't fault him when he's given a ready-made track to deal with, though, and his remix for returning Sheffield indie-kids The Hours (check out their 2007 album 'Narcissus Road', which is pretty belting) is typically excellent.  A little more down-tempo than previous efforts, this is a storming piece of bump'n'funk electro that is going straight to the front of my box.  Enjoy!


UPDATE:  I read from my helpful promotional blurb that there is a pretty intense video for the original of this doing the rounds.  It features Sienna Miller as...well...see for yourselves:



Jx

Monday, 24 November 2008

Little Boots - Stuck on Repeat. Oh my good GOD!

So I've been away for a looooong time - blame the pressures of work, some play, an 8-month old baby, and bands who keep dropping out of gigs I've arranged (damn them!)  I am, however, back on the blog...and back with an absolute corker for y'all.

Little Boots is one of my favourite artists at the moment.  Originally from Blackpool (a fact that sometimes comes out in endearing little Northern word pronunciations in her recordings), she's now firmly ensconced in London, and making some great music.  She does this little series called Funtimes on YouTube where she covers a track every week or so (check out her Tenori-On cover of 'Ready for the Floor' by Hot Chip here) and it's highly recommended.  However, the track I'm posting is her single 'Stuck on Repeat' from earlier in the year (February I think?) - It's produced by Hot Chip's own Joe Goddard, and...well...would you listen to that bassline?! There's a Fake Blood (DJ Touche) mix too which is nice, but I just love the original.  Like Madonna stepping out to disco with the Soulwax boys, this really is a belter.



Mother Flippin' loves you Little Boots!

x

Monday, 27 October 2008

Track of the Week - Barefoot Confessor, He Doesn't Love You

Last week's track of the week was a Beatle's remix;  this week's is one that riffs splendidly on the Fab Four's track 'I Wanna Hold your Hand', Barefoot Confessor's brilliant 'He Doesn't Love You'.

The band are from West London, and have been raising high levels of industry interest since their conception a few months ago, being likened to everyone from The Smiths, Bruce Springsteen, McFly (?!) and The Libertines.  Recently tipped by both Glasswerk and Red Stripe, and appearing on any number of Google searches for new London acts, they're looking good success-wise, which is helped by the fact that they are absolutely belting.  Don't take my word for it, check this out...

Jx

Wednesday, 15 October 2008

dancetillyoudie tomorrow night

it would be a foolish man indeed who didn't post the odd blog about the night he runs, so here we go!

My night, dancetillyoudie, returns to the Good Ship in Kilburn tomorrow night for some fearsome alternative loving.  Playing live on the night are:

Finalists in this year's Road to V competition, Slice the Pie album winners, and one of Birmingham's finest exports. Having been hand-picked to support the likes of the Young Knives, The Paddingtons, and Vincent Vincent and the Villians, Walk.DontWalk head to dtyd for what promises to be an absolutely barnstorming headline set. 

"the find of the night - and perhaps the entire contest...a girl-flinging, dress-removing, mate-piggybacking, TV camera-grabbing frenzy. A turbo-charged Coral anyone?" (Mark Beaumont, NME)


afterwards my good friend Bryn and I entertain on the decks until 2am.  It's generally a great night's entertainment, and all the bands playing tomorrow are corking, so hope to see you down there!  If you want a cheeky gander at walk.dontwalk beforehand though, check this out...



Tickets are £5 on the door, or £4 if you let us know you're coming in advance - do that here, or wing me a message here

Advertorial ends!
Jx

Monday, 13 October 2008

Live Review - Indiesexual @ Catch, 08.10.08

Catch is an odd venue to be honest.  Downstairs has a bar, background music, pool table and seating booths – think faded Americana and you won’t go far wrong.  Up the narrow spiral staircase, though, and you find yourself in the kind of spit-and-sawdust gig space that is so typical to London – narrow room, low ceiling.  You get the feeling that they could make much better use of the space, but why bother as things are rolling along pretty well as is.  I was there to catch (ahem) Indiesexual, another successful night from the ubiquitous Broccoli Music clan – brother and sister team Mikee and Katie Corcoran (or ‘Broccoli’ as they have, perhaps unfairly, become known).

The night has been running for more than three years now, and is another step in their plans for global domination of the ‘up-and-coming but not signed yet’ bands market.  Going on the evidence of their website, booking policy tends towards the eclectic, with previous acts including the likes of The Krak, Joanna and the Wolf, Hatcham Social, Popular Workshop, and the now sadly defunct Mescalitas.  Tonight’s entertainment came from The Cavaliers, The Supernovas, The Broadcasts, and Miss Davina Lee (‘The’ Miss Davina Lees were obviously not available, or they couldn’t get her to change her name…).  DJing support came from the Broccoli kids themselves, debuting on the one’s and two’s in fine style.

There is something endearingly British about Miss Davina Lee.  She may come on stage dressed like Lovefoxx, all pink leopard prints and gold lame leggings, but she races through her set more like Lovesquirrel – all hopping from one foot to another and self-conscious chatter interspersing the tracks as if Hugh Grant was fronting an indie band.  It’s a winning formula that puts you on-side almost instantly.  There is something particularly wonderful about watching a performer who gets so into the music that she forgets to sing into the microphone.  The music itself was fun – all electro beats underpinned with some nice acoustic guitar work.  Next time give the girl a higher stand for her keyboard though…

Next up were The Broadcasts, peddling poppy, upbeat glam-indie that was hard to resist, and few did.  All driven guitars and witty vocal lines, you can really see why these boys are a firm favourite with the radio powers that be.  Their sound isn’t fully formed as yet, with different songs bringing in occasionally disparate elements, but once they find their balance, perhaps during the album-writing process they are currently going through, they’re going to be a fine prospect.

The Supernovas had brought quite the crowd with them – always a plus as it will endear you to the promoter if nothing else – and proceeded to entertain in the well-worn style of mildly punk indie, sounding like an amalgam of fellow Nambucca-ites The Holloways, Elle Milano (their track ‘City of Smoke’ could just as easily have been ‘Sexy in Latin’), and the Buzzcocks.  Just because it was of a type, though, didn’t mean it wasn’t enjoyable.  The band were obviously into, and true to, what they were doing, and the songs were carried off with a panache that lifts them above the average, and could well ensure that Holy Grail of all acts on the London circuit, label interest.

Finally, we had The Cavaliers to wrap things up.  The Supernovas have previously supported Pete Doherty, The Cavaliers seem to enjoy fearsomely channelling him, if you believe previous press reports on their activities.  I guess the Babyshambles influences were there to be seen, but The Cavaliers have much more in the locker in terms of how to create an interesting chord structure than Doherty et al have ever had.  To this reviewer the style of the songs was rather more reminiscent of a slightly more louche Strokes, but with sweeter melodic lines a la Boy Kill Boy.  Honestly?  It was bloody ripper!  Some excellent music on display, twinned with a bit of a, deserved, swagger.

Verdict:
Strong band line-ups, DJs who are obviously enjoying themselves, and pleasant door staff.  It’s an aptly named venue for this Catch-y night.  You should ‘Catch’ it very soon (that’s enough catch gags…)

Where Next:
Miss Davina Lee - no gig listed
The Broadcasts - @ The Bull & Gate on 28th October
The Supernovas - Abstract Noun all-dayer @ The Ramshackle on 26th October
The Cavaliers - @ 93 Feet East on 15th October
Indiesexual - Indiesexual returns to Catch on 12th November with It's a Trap!, The Hateful, and Burning Pilot

Song of the week - Crying Blood, V V Brown

I'm not going to lie, it's a pretty crappy day in London town this Monday am.  So for those bemoaning the end of the sun we had over the weekend, here's something to put a smile on your face.  Miss V V Brown with her debut single 'Crying Blood'.  It's been around for a while now, but it's a belter that never fails to do the business when I'm out DJing, and I've just found the video, so I'm posting it.



Lindi-hop-tastic!  There's also a killer remix of the track by Hannah Holland.  Check it out...

Thursday, 25 September 2008

Live music review - Pull up the Roots @ The Old Queen's Head 24.09.08

Once again, Broccoli Music took over the upstairs room at The Old Queen's Head for their successful 'Pull up the Roots' night.  The concept is to break new bands in the capital in slightly more comfortable surroundings than is the norm (naming no names Camden Barfly...).  Entry is free, and punters more often than not find themselves lounging in one of the venue's comfy chairs veiwing the stage, adding a certain living room vibe to the whole affair.  On Wednesday, music came courtesy of The Black Lies, Carlotti, Rock City Sixteen and De Shamonix, with the gaps plugged ably by the excellent Coathanger DJs who entertained with dancefloor indie a-go-go.

Indie-punk foursome Black Lies swaggered onto the stage to the strains of their track 'My House is Your House'.  So far, so Arctic Monkeys, and it was this sound that they stuck to resolutely throughout their set, assisted by a small cabal of hardcore fans leaping about at the front of the room.  It's being done plenty elsewhere, but these boys give it a sense of fun at the very least.

Carlotti offered something a little more fulsome - there was even a mandolin at one point!  Melodic rock with a fine country/blues edge, they were my pick of the crop for the night.  Grabbing debut single 'Your Guess Ain't as Good as Mine' on iTunes is a highly-recommended move.

Of all the acts performing, it was Rock City Sixteen that wore their references the most proudly on their chests.  Their myspace is the epitome of self-conscious 50s cool, and their music owes much to the work of Blondie and, though they don't admit to it in their list of influences, The Strokes.  Their set was all angular guitars, overdrive, and some very very large shades indeed.  The crowd lapped it up.

Last but by no means least were De Shamonix, who blasted through an excellent set to the appreciation of a sizeable audience.  I had been told beforehand that they knew how to own a stage, and own it they did - stagecraft is often the big differentiator between a band making it or not, and De Shamonix offered it up in spadefuls to round out a fine night's entertainment.  

VerdictYou may not be a fan of broccoli as a vegetable, but you can't fault it as a clubnight...

Where next:
Black Lies: @ Monto Water Rats, Fri. 31st October
Carlotti:  @ the Hope & Anchor Fri. 3rd October
Rock City Sixteen: @ the Ryhthm Factory Tues. 7th October
De Shamonix: @ Monto Water Rats, Sat. 29th November
Pull up the Roots Thurs. 20th October @ The Old Queen's Head